Manuel Göttsching - Desire (Dream & Desire)
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dimanche 1 février 2015
Manuel Göttsching - Dream (Dream & Desire)
Libellés :
Album,
Manuel Göttsching,
New age,
Synthétiseur
samedi 31 janvier 2015
Deep distance (Manuel Göttsching) 2013
Deep distance (Manuel Göttsching) 2013
Deep distance
Koncert w Gorlicach AMBIENT 2013 Poland
Libellés :
coup de coeur,
Guitare,
Manuel Göttsching,
New age,
Synthétiseur
Michael Hoenig - Departure From The Northern Wasteland (complete track)
Michael Hoenig - Departure From The Northern Wasteland (complete track)
La pieza "Departure From The Northern Wasteland" perteneciente al álbum homónimo de Michael Hoenig de 1978.
Facebook: http://www.facebook.com/Audionauts
Twitter: http://twitter.com/audionauts
Libellés :
Album,
coup de coeur,
Michael Hoenig,
New age,
Synthétiseur
Michael Hoenig & Manuel Göttsching - Early Water (Early Water)
Michael Hoenig & Manuel Göttsching - Early Water (Early Water)
http://www.ashra.com/news.php
http://www.discogs.com/Hoenig-G%C3%B6...
Libellés :
coup de coeur,
Manuel Göttsching,
Michael Hoenig,
New age,
Synthétiseur
vendredi 23 janvier 2015
Twin Shape - Connected [In Transit]
Twin Shape - Connected [In Transit]
http://www.beatport.com/release/in-tr...
https://www.facebook.com/twinshapemusic
https://soundcloud.com/twinshape
Libellés :
New age,
Synthétiseur,
Twin Shape
jeudi 15 janvier 2015
Klaus Schulze & Pete Namlook - The Evolution Of The Dark Side Of The Moog
Klaus Schulze & Pete Namlook - The Evolution Of The Dark Side Of The Moog
0:00:00 Intro
0:00:12 Wish You Were There (Excerpt) [I]
0:03:45 A Saucerful Of Ambience (Excerpt) [II]
0:18:46 Phantom Heart Brother [III/3]
0:24:12 Phantom Heart Brother [III/4]
0:30:30 Three Pipers At The Gates Of Dawn [IV/7]
0:33:09 Three Pipers At The Gates Of Dawn [IV/8]
0:41:54 Psychedelic Brunch [V/8]
0:49:58 The Final DAT [VI/6]
1:00:26 Obscured By Klaus [VII/6]
1:08:23 Careful With The AKS, Peter [VIII/2]
1:09:33 Careful With The AKS, Peter [VIII/6]
A continuous mix of tracks compiled from the first eight volumes of the Dark Side of the Moog series.
Libellés :
Album,
Klaus Schulze,
New age,
Pete Namlook,
Synthétiseur
mercredi 14 janvier 2015
Juju Planet Dub feat. 3Duby - Kaleidoscope [Ethneomystica Vol. 3]
Libellés :
Juju Planet Dub feat,
Mystic music,
Synthétiseur
Maha Sun - Awakening of the Sun [Awakening of the Sun]
Maha Sun - Awakening of the Sun [Awakening of the Sun]
http://www.beatport.com/release/awake...
https://www.facebook.com/Maha.Sun.Swiss
Libellés :
Maha Sun,
New age,
Synthétiseur
mardi 13 janvier 2015
Klaus Schulze - De Beste Van De Klas (Soundtrack 1977)
Klaus Schulze - De Beste Van De Klas (Soundtrack 1977)
0:00:00 - Track I [02.36]
0:02:37 - Track II [01.00]
0:03:37 - Track III [01.55]
0:05:31 - Track IV [06.07]
0:11:38 - Track V [11.46]
0:23:25 - Uneasiness Wanderings [29.16]
0:52:42 - Lichtblicke [09.54]
Soundtrack for the Dutch movie 'de Beste van de klas' (The Best of the Class) by Wim Van Der Velde.
The bootleg CD is completed with "Uneasiness Wanderings" and "Lichtblicke"
Libellés :
Album,
Klaus Schulze,
New age,
Synthétiseur
Martins Garden - Zen [Aurora EP]
Martins Garden - Zen [Aurora EP]
http://www.beatport.com/release/auror...
https://www.facebook.com/profile.php?...
https://soundcloud.com/martinsgarden
https://www.facebook.com/profile.php?...
https://soundcloud.com/martinsgarden
Libellés :
Martins Garden,
New age,
Synthétiseur
Tangerine Dream - Invisible Limits
Tangerine Dream - Invisible Limits
Tangerine Dream - Invisible Limits from the Album Stratosfear (1976)
Libellés :
70's,
Clip,
New age,
Synthétiseur,
Tangerine Dream
lundi 12 janvier 2015
Tangerine Dream -- Phaedra (1974)
Tangerine Dream -- Phaedra (1974)
Phaedra is one of the most important, artistic, and exciting works in the history of electronic music, a brilliant and compelling summation of Tangerine Dream's early avant-space direction balanced with the synthesizer/sequencer technology just beginning to gain a foothold in nonacademic circles. The result is best heard on the 15-minute title track, unparalleled before or since for its depth of sound and vision. Given focus by the arpeggiated trance that drifts in and out of the mix, the track progresses through several passages including a few surprisingly melodic keyboard lines and an assortment of eerie Moog and Mellotron effects, gaseous explosions, and windy sirens. Despite the impending chaos, the track sounds more like a carefully composed classical work than an unrestrained piece of noise. While the title track takes the cake, there are three other excellent tracks on Phaedra. "Mysterious Semblance at the Strand of Nightmares" is a solo Edgar Froese song that uses some surprisingly emotive and affecting synthesizer washes, and "Movements of a Visionary" is a more experimental piece, using treated voices and whispers to drive its hypnotic arpeggios. Perhaps even more powerful as a musical landmark now than when it was first recorded, Phaedra has proven the test of time.
Libellés :
70's,
Album,
New age,
Synthétiseur,
Tangerine Dream
dimanche 11 janvier 2015
Tangerine Dream - "Rubycon" Part Two 1975 (complete)
Tangerine Dream - "Rubycon" Part Two 1975 (complete)
There isn't a complete version of this song in youtube, so I made one with nice passages of ambient outer space, nature, physics and society sequences.
composed and played by:
Edgar Froese: Mellotron, Guitar, VC3 Synthi
Chris Franke: Double Moog Synthesizer, Synthi A Organ, Modified Elka Organ, Prepared Piano
Peter Baumann: Organ, Synthi A, E-Piano, Prepared Piano.
Edgar Froese: Mellotron, Guitar, VC3 Synthi
Chris Franke: Double Moog Synthesizer, Synthi A Organ, Modified Elka Organ, Prepared Piano
Peter Baumann: Organ, Synthi A, E-Piano, Prepared Piano.
Tangerine Dream! The words themselves conjure up a different world - a world of electronic music, dazzling stage shows and long, unfurling hypnotic concept albums. Of all the german groups who came out of the late 60s experimental explosion, it is Tangerine Dream who are still consistently
making music, with around 50 albums to their credit. The brainchild of sculptor and Salvador Dali protege Edgar Froese, Tangerine Dream were first a Beatles-inspired rock band before becoming an experimental electronic group in the Berlin of 1969. Improvisation and the use of studio equipment led to a form if electronic psychedelia on such early albums as 1971's "Alpha Centauri". Yet it wasn't until the lineup settled down to Froese, Chris Franke and Peter Baumann and the group signed to Virgin, that the classic TD sound
came into being. Involving long sequenced synth rhythms overlayed by various guitar, flute and organ lines, the new sound was successfully depolyed on 1974's "Phaedra", a massive-selling album whose influence is still being felt today. In retrospect, the Virgin years produced the most acessible and streamlinded TD music of their career. Albums like "Rubycon" and Stratosfear" widened the texture without losing the mesmeric synthesizer beat. The live North American album "Encore" was to be Baumann's last before he left
in 1978 to pursue an important solo career. A young Berlin organist and sampling expert Johannes Schoelling replaced him, joining Froese and Franke for an historic concert on the Communist side of the old Berlin Wall in January 1980. Schmoelling's interest in a sleek commerical sound and the quirkness of automata is apparent on "White Eagle", "Logos" and Hyperborea", all three released between 1982 and 1983. Even though they were pushing further into the high tech world of computers and soundtracks, the TD could still cleverly quite their past, as on the final Virgin studio album "Hyperborea", whose Eastern flavour casts as clever eye back to Froese's 60s psychedelic inspiration. With their lengthy tracks, mysterious titles and science fiction covers, Tangerine Dreams's Virgin albums have, with the passage of time, become archetypes. So, sit back, listen and enjoy!
making music, with around 50 albums to their credit. The brainchild of sculptor and Salvador Dali protege Edgar Froese, Tangerine Dream were first a Beatles-inspired rock band before becoming an experimental electronic group in the Berlin of 1969. Improvisation and the use of studio equipment led to a form if electronic psychedelia on such early albums as 1971's "Alpha Centauri". Yet it wasn't until the lineup settled down to Froese, Chris Franke and Peter Baumann and the group signed to Virgin, that the classic TD sound
came into being. Involving long sequenced synth rhythms overlayed by various guitar, flute and organ lines, the new sound was successfully depolyed on 1974's "Phaedra", a massive-selling album whose influence is still being felt today. In retrospect, the Virgin years produced the most acessible and streamlinded TD music of their career. Albums like "Rubycon" and Stratosfear" widened the texture without losing the mesmeric synthesizer beat. The live North American album "Encore" was to be Baumann's last before he left
in 1978 to pursue an important solo career. A young Berlin organist and sampling expert Johannes Schoelling replaced him, joining Froese and Franke for an historic concert on the Communist side of the old Berlin Wall in January 1980. Schmoelling's interest in a sleek commerical sound and the quirkness of automata is apparent on "White Eagle", "Logos" and Hyperborea", all three released between 1982 and 1983. Even though they were pushing further into the high tech world of computers and soundtracks, the TD could still cleverly quite their past, as on the final Virgin studio album "Hyperborea", whose Eastern flavour casts as clever eye back to Froese's 60s psychedelic inspiration. With their lengthy tracks, mysterious titles and science fiction covers, Tangerine Dreams's Virgin albums have, with the passage of time, become archetypes. So, sit back, listen and enjoy!
Prendergast, Mark: "Remembering The Dream", 1993 in: Tangerine Dream "Rubycon" liner notes,
Virgin Records 1995 Re-Release
Libellés :
70's,
Album,
New age,
Synthétiseur,
Tangerine Dream
samedi 10 janvier 2015
Tangerine Dream - "Rubycon" Part One 1975 (complete)
Tangerine Dream - "Rubycon" Part One 1975 (complete)
composed and played by:
Edgar Froese: Mellotron, Guitar, VC3 SynthiChris Franke: Double Moog Synthesizer, Synthi A Organ, Modified Elka Organ, Prepared Piano
Peter Baumann: Organ, Synthi A, E-Piano, Prepared Piano.
Tangerine Dream! The words themselves conjure up a different world - a world of electronic music, dazzling stage shows and long, unfurling hypnotic concept albums. Of all the german groups who came out of the late 60s experimental explosion, it is Tangerine Dream who are still consistently
making music, with around 50 albums to their credit. The brainchild of sculptor and Salvador Dali protege Edgar Froese, Tangerine Dream were first a Beatles-inspired rock band before becoming an experimental electronic group in the Berlin of 1969. Improvisation and the use of studio equipment led to a form if electronic psychedelia on such early albums as 1971's "Alpha Centauri". Yet it wasn't until the lineup settled down to Froese, Chris Franke and Peter Baumann and the group signed to Virgin, that the classic TD sound came into being. Involving long sequenced synth rhythms overlayed by various guitar, flute and organ lines, the new sound was successfully depolyed on 1974's "Phaedra", a massive-selling album whose influence is still being felt today. In retrospect, the Virgin years produced the most acessible and streamlinded TD music of their career. Albums like "Rubycon" and Stratosfear" widened the texture without losing the mesmeric synthesizer beat. The live North American album "Encore" was to be Baumann's last before he left
in 1978 to pursue an important solo career. A young Berlin organist and sampling expert Johannes Schoelling replaced him, joining Froese and Franke for an historic concert on the Communist side of the old Berlin Wall in January 1980. Schmoelling's interest in a sleek commerical sound and the quirkness of automata is apparent on "White Eagle", "Logos" and Hyperborea", all three released between 1982 and 1983. Even though they were pushing further into the high tech world of computers and soundtracks, the TD could still cleverly quite their past, as on the final Virgin studio album "Hyperborea", whose Eastern flavour casts as clever eye back to Froese's 60s psychedelic inspiration. With their lengthy tracks, mysterious titles and science fiction covers, Tangerine Dreams's Virgin albums have, with the passage of time, become archetypes. So, sit back, listen and enjoy!
Prendergast, Mark: "Remembering The Dream", 1993 in: Tangerine Dream "Rubycon" liner notes,
Virgin Records 1995 Re-Release
Libellés :
70's,
Clip,
New age,
Synthétiseur,
Tangerine Dream
Tangerine Dream - Kiew Mission
Libellés :
New age,
Synthétiseur,
Tangerine Dream
mercredi 17 décembre 2014
Vangelis ( the most 30 beautiful songs - compilation )
Vangelis ( the most 30 beautiful songs - compilation )
I chose 30 songs composed by Vangelis, songs can be called after me EVERGREEN relaxing music. If you love music compilation feel free to comment and give me a LIKE. Thank you.
0:00 Intro
1. 0:14 Chung Kou
2. 5:44 Hymne
3. 8:27 Les 40 Braves
4. 13:39 Voices
5. 20:39 Deliverance
6. 24:09 Echoes
7. 32:26 Sirens Whispering
8. 40:25 Come to me
9. 44:59 Monastery of La Rabida
10. 48:38 Les Kolokonotronei
11. 52:00 Spanish Harbour
12. 58:41 City of Isabel
13. 1:00:52 Ask the Mountains
14. 1:08:46 Islands of Orient
15. 1:16:08 The Tao of Love
16. 1:18:51 Irlande
17. 1:23:35 Lamento
18 1:31:54 Losing Sleep
19.. 1:38:35 Movement VII
20. 1:41:55 Menousis
21. 1:48:31 Messages
22. 1:56:07 Dream in an Open place
23. 2:01:58 Song of the Seas
24. 2:07:53 Himalaya
25. 2:14:44 Hispanola
26. 2:19:37 Moxica and the Horse
27. 2:26:42 Twenty Eight Parallel
28. 20:31:55 Antarctica
28. 2:35:30 Pinta, Nina, Santa Maria (Into Eternity)
30. 2:48:54 Procession
1. 0:14 Chung Kou
2. 5:44 Hymne
3. 8:27 Les 40 Braves
4. 13:39 Voices
5. 20:39 Deliverance
6. 24:09 Echoes
7. 32:26 Sirens Whispering
8. 40:25 Come to me
9. 44:59 Monastery of La Rabida
10. 48:38 Les Kolokonotronei
11. 52:00 Spanish Harbour
12. 58:41 City of Isabel
13. 1:00:52 Ask the Mountains
14. 1:08:46 Islands of Orient
15. 1:16:08 The Tao of Love
16. 1:18:51 Irlande
17. 1:23:35 Lamento
18 1:31:54 Losing Sleep
19.. 1:38:35 Movement VII
20. 1:41:55 Menousis
21. 1:48:31 Messages
22. 1:56:07 Dream in an Open place
23. 2:01:58 Song of the Seas
24. 2:07:53 Himalaya
25. 2:14:44 Hispanola
26. 2:19:37 Moxica and the Horse
27. 2:26:42 Twenty Eight Parallel
28. 20:31:55 Antarctica
28. 2:35:30 Pinta, Nina, Santa Maria (Into Eternity)
30. 2:48:54 Procession
Libellés :
Album,
Best of,
Synthétiseur,
Vangelis
mardi 9 décembre 2014
Klaus Schulze and Lisa Gerrard - 2008 Farscape
Klaus Schulze and Lisa Gerrard - 2008 Farscape
Performed by: Klaus Schulze (music) and Lisa Gerrard (vocals)
0:00:00 Liquid Coincidence 1 — 21:59
0:22:05 Liquid Coincidence 2 — 30:55
0:53:00 Liquid Coincidence 3 — 26:00
1:19:00 Liquid Coincidence 4 — 18:18
1:37:18 Liquid Coincidence 5 — 18:58
1:56:16 Liquid Coincidence 6 — 24:06
2:20:22 Liquid Coincidence 7 — 13:41
0:22:05 Liquid Coincidence 2 — 30:55
0:53:00 Liquid Coincidence 3 — 26:00
1:19:00 Liquid Coincidence 4 — 18:18
1:37:18 Liquid Coincidence 5 — 18:58
1:56:16 Liquid Coincidence 6 — 24:06
2:20:22 Liquid Coincidence 7 — 13:41
Farscape is the thirty-seventh album by Klaus Schulze. It was originally released in 2008. This is the first Schulze album with guest singer Lisa Gerrard.
Schulze explained the impetus for this album: «I have wanted to work with Lisa Gerrard since the days of Dead Can Dance, but I never had an opportunity for such a collaboration. It’s also not so easy to reach her on the phone.» Reciprocally, Gerrard said: «I know Klaus Schulze since Tangerine Dream. He is amazing, I mean, his work is sympathetic to a soul journey and has been for such a period of time.»
Schulze prepared 300 minutes of music and scheduled 6 days with Gerrard for her to come to Hambühren: as Gerrard explained, «The important thing for me when I work with someone is that I go and listen to his music. All I did was go and improvise.» The whole recording was actually done in two afternoons (on day 2 and 3) and half of the material was selected for the album. Schulze concluded, «Many people think good music has something to do with sweat and hard work, and it needs to last for months. However, my opinion is that if this is the case, the music is bad. Because if you are on the ball then you’re just playing your best stuff.» (Wiki)
Schulze prepared 300 minutes of music and scheduled 6 days with Gerrard for her to come to Hambühren: as Gerrard explained, «The important thing for me when I work with someone is that I go and listen to his music. All I did was go and improvise.» The whole recording was actually done in two afternoons (on day 2 and 3) and half of the material was selected for the album. Schulze concluded, «Many people think good music has something to do with sweat and hard work, and it needs to last for months. However, my opinion is that if this is the case, the music is bad. Because if you are on the ball then you’re just playing your best stuff.» (Wiki)
Libellés :
Album,
Klaus Schulze,
Lisa Genard,
New age,
Synthétiseur
Klaus Schulze - 2006 Timewind (Deluxe Edition)
Klaus Schulze - 2006 Timewind (Deluxe Edition)
Timewind (Deluxe edition)
17 November 2006
17 November 2006
0:00:00 Bayreuth Return 30:32
0:30:32 Wahnfried 1883 28:38
0:30:32 Wahnfried 1883 28:38
Bonus:
0:59:10 Echoes Of Time 38:42
1:37:52 Solar Wind 12:35
1:50:27 Windy Times* 04:57
1:37:52 Solar Wind 12:35
1:50:27 Windy Times* 04:57
Recorded: March/June 1975, Berlin.
Release: 17 November 2006, on Revisited Records
First release: August 1975, on Brain (1075) and Virgin
Performed by: Klaus Schulze
The album is dedicated to Richard Wagner.
Release: 17 November 2006, on Revisited Records
First release: August 1975, on Brain (1075) and Virgin
Performed by: Klaus Schulze
The album is dedicated to Richard Wagner.
Rezension von: Siggy Zielinski
Auf dem Track "Bayreuth Return" bedient Schulze zum ersten mal einen Sequencer und schafft es auf Anhieb, diesem gefühlvolle und hypnotisch-faszinierende Muster zu entlocken. Neben synthetischem Flirren, Zirpen und Rauschen tauchen Synthesizer-Improvisationen und Bruchstücke von langgezogenen Melodienlinien auf. Gegen Ende weicht die verträumte Stimmung schnellerem Sequencertempo, worauf das Stück mit einem Donnerschlag abrupt beendet wird. Angeblich mit nur zwei Tonspuren aufgenommen, wirkt "Bayreuth Return" auch heute noch ebenso einfach wie genial.
Laut beiliegendem Diagramm besteht der zweite Track "Wahnfried 1883" aus neun Keyboardspuren, die es symphonisch-bombastisch und überwältigend weiträumig erscheinen lassen. Es entstehen riesige Soundwellen, die sich ohne rhythmische Strukturen mit getragenen melodischen Motiven überschneiden.
"Timewind" ist Richard Wagner gewidmet und wurde von der französischen Akademie Charles Cros 1976 mit dem "Grand Prix Internationale Du Disques" geehrt, einer Auszeichnung, die überwiegend klassischen Werken zuerkannt wurde.Die Platte verdient als Geburtstunde des "klassischen Schulze" wirklich fast jede Auszeichnung. Mein persönlicher Favorit und ein Meilenstein der elektronischen Musik.
Libellés :
Album,
Klaus Schulze,
New age,
Synthétiseur
dimanche 26 octobre 2014
Peter Baumann - Trans Harmonic Nights
Peter Baumann - Trans Harmonic Nights
0:00:00 - This Day [5.11]
0:05:11 - White Bench And Black Beach [5.29]
0:10:40 - Chasing The Dream [4.34]
0:15:14 - Biking Up The Strand [2.26]
0:17:40 - Phaseday [5.50]
0:23:30 - Meridian Moorland [3.28]
0:26:58 - The Third Site [6.21]
0:33:20 - Dance At Dawn [3.58]
0:05:11 - White Bench And Black Beach [5.29]
0:10:40 - Chasing The Dream [4.34]
0:15:14 - Biking Up The Strand [2.26]
0:17:40 - Phaseday [5.50]
0:23:30 - Meridian Moorland [3.28]
0:26:58 - The Third Site [6.21]
0:33:20 - Dance At Dawn [3.58]
July 1978 - January 1979
Paragon Studios (Berlin)
Peter Baumann, W. Thierfeld, Bernhard Jobski, Will Roper.
Paragon Studios (Berlin)
Peter Baumann, W. Thierfeld, Bernhard Jobski, Will Roper.
Libellés :
70's,
Album,
Peter Baumann,
Synthétiseur
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